Heatwave interview and review

Hi all!

It's weekend finally, yay! So to start the weekend neatly, I'll bring you two things: Interview with Heatwave and review of his latest album

INTERVIEW WITH MARKUS SPILLNER, WHO HAS LAUNCHED THE PROJECT HEATWAVE TOGETHER WITH RICK TURNER

1. How did HEATWAVE get started?

I MET RICK SHORTLY AFTER HIS CRASH INTO THIS CENTURY. HE WAS SITTING AT THE COUNTER OF MY MOST FAVOURITE PUB. WE CAME QUICKLY INTO CONVERSATION. THE MATTER OF FACT THAT I WAS WORKING AS A MUSIC PRODUCER FOR A COUPLE OF YEARS TURNED ON RICKS INTERESTS FOR THE MUSIC OF OUR DECADE, IN THE BEGINNING WE MET ONCE IN A WHILE IN MY LOCAL STUDIO. RICK WAS VERY IMPRESSED BY THE HANDLING AND THE STATE OF ART ACCORDING THE TECHNOLOGY ;-)

2. It really has that 80's feel to it and the visuals really suit it well. Why this synthpop genre?

I AM A BIG FAN OF THE 80S MUSIC AND RICK WAS ALSO THRILLED VERY FAST, WE DECIDED TO KEEP THE SPIRIT ALIVE USING SOUNDS OF THE PRESENT AND FUTURE TO CREATE OUR OWN INTERPRETATION.

3. What was the first album you bought and what was the most influental one?

I THINK THE FIRST VINYL I BOUGHT WAS “MOTI SPECIAL (COLD DAYS HOT NIGHTS)”. FURTHER I WAS FOR SURE STRONGLY INFLUENCED BY MANY OTHER DIFFERENT ARTISTS, GENRES AND DECADES OF TIME.

4. There might be some people who haven't heard of you yet, how would you describe your sound for them?

HEATWAVE IS OUR ATTEMPT TO COMBINE A MUSICAL ASSOCIATION OF THE PAST, THE PRESENT AND THE FUTURE WITH A VISUAL AND ACOUSTIC HARMONIC DRIVE TO EXPERIENCE ALL SENSES

5. What is your equipment of choice?

WHEN RICK GOT HERE, FROM THE FUTURE, HE WASN´T ALLOWED TO TAKE A LOT OF BAGGAGE ON THE TRIP. SO HE HAD TO USE THE OLD FASHIONED MUSIC INSTRUMENTS OF "THIS TIME" .. AT FIRST HE HAD TO GET USED TO IT, SINCE HE WASN´T USED TO USING HIS HANDS TO CREATE MUSIC..., BUT AS SOON AS HE GOT THE HANG OF IT.. HE STARTED LIKING THE, IN HIS EYES, ANTIQUE MACHINES.. HIS FAVOURITES ARE: ROLAND JUNO 60, SH-101, TR-707, KORG MONO/POLY & DW-6000, ETC....

6. How long have you been making music?

I HAVE BEEN PRODUCING ELECTRONIC MUSIC FOR A COUPLE OF YEARS NOW. RICK JUST ENTERED THE WORLD OF MUSIC PRODUCTION / SOUND DESIGN WHEN HE ARRIVED IN THIS CENTURY.

7.What got you into making music in the first place?

WE LIKED TO MESS AROUND WITH MANY DIFFERENT STUDIO DEVICES AND TRIED TO BRING THESE SOUNDS INTO CATCHY MELODIES OR RHYTHMS AND ALSO VERY CREATIVE ARRANGEMENTS.

8. You have your own Bandcamp site. How has Bandcamp etc changed the game from commercial viewpoint? Are record labels becoming obsolete?

AS I MENTIONED BEFORE I HAD SEVERAL RELEASES WITH DIFFERENT OTHER PROJECTS. THESE WERE ALWAYS RELEASED ON SMALL LABELS THAT ONLY BROUGHT LITTLE ATTENTION ON THESE PROJECTS. UNFORTUNATELY I THINK MANY SMALLER LABELS ARE UNABLE TO BUILD UP ARTIST.S.. OR JUST DONT WANT TO SUPPORT THEM THAT MUCH ... THEREFOR BANDCAMP IS A GREAT ALTERNATIVE. WE ARE ALWAYS INFORMED ON OUR SALES AND ON OUR “MARKETING ACTIVITIES”.

9. How easy is it these days to get noticed as independent artist?

IT'S NOT EASY! ;-) VARIOUS ONLINE NETWORKS HELP US TO HAVE A BETTER OUTREACH, BUT WE ARE ALWAYS ADDICTED TO THE GOODWILL OF LISTENERS IN ADDITION TO SUPPORT OR “ADVERTISE” OUR PROJECT.
A "LIKE" OR A "COMMENT" ON A SOCIAL MEDIA PLATFORM LIKE FACEBOOK, SOUNDCLOUD, YOUTUBE OR BANDCAMP, EG ARE ALWAYS VERY NICE AND WELCOME, AS WELL BUT TO REACH A GREATER AUDIENCE WE NEED TO DEPEND ON THE PEOPLE. THEREFORE WE ARE VERY THANKFUL FOR EVERY ATTENTION, SUCH AS THIS INTERVIEW OR ALSO REVIEWS ON THE RELEVANT PAGES.

10. HEATWAVE really feels like you are passionate of that sound. What is it with that retro sound that people keep still making it and liking it so much?

I THINK I GOT STRONGLY INFLUENCED BY “THE REAL 80S” ALSO THE WHOLE GENERATION EVEN FILM DIRECTORS AND MANY OTHER ARTISTS GOT INFLUENCED BY THAT BIG HYPE WICH IS KIND OF OVER HONORED. IN THE STATE OF ART ELECTRONIC MUSIC SEEMS TO BE SOME KIND OF TIMELESS IN A CULTURAL WAY. NEVERTHELESS ALSO COMPARED TO MANY OTHER DIFFERENT THINGS THE SOUND OF THE EIGHTIES IS COMING BACK AGAIN IN SOME KIND OF A RENAISSANCE. THIS DECADE SUPLLIES A LOT OF CONTENT FOR MUSICIANS TO EXPRESS THEIR ART AND MUSICAL CREATIVITY.

11. How much has scene evolved since 80s?

MAINLY DUE TO MORE AND MORE OPPORTUNITIES CONCERNING THE TECHNICAL STATE OF ART AND INFLUENCES FROM OTHER MUSICAL DIRECTIONS, MUSIC TODAY IS “EASIER” TO PRODUCE USING MODERN DAWs.

12. Did you think of HEATWAVE as complete concept because it really feels like you knew the graphics and sound from the beginning?

YES; HEATWAVE DOES HAVE A CONCEPT. THE IDEA AND THE RELATED STORY IS ALMOST THE FRAMEWORK FOR WICH IT STANDS. WE HAVE TRIED TO FOLLOW A MUSICAL AND GRAPHIC “STORYLINE” THROUGH THE WHOLE FIRST ALBUM (BACK FROM THE FUTURE). WE STILL KEEP FOLLOWING LIKE YOU SHOULD...

13. Where can we hear and buy your music?

THE MAIN DISTRIBUTION CHANNEL IS OUR BANDCAMP PAGE:

https://heatwave-official.bandcamp.com
YOU WILL FIND FURTHER RELATED LINKS TO OTHER NETWORKS ON OUR SITE.

14. What are your plans for the future?

RIGHT NOW WE ARE WORKING ON A NEW ALBUM AND SOMEMORE RELEASES COMING OUT FOR YOU SOON. IN THE DISTANT FUTURE WE ARE ALSO PLANING TO PERFORM OUR MUSIC ON STAGE AS WELL ...;-)

You can buy the album from Bandcamp and also listen to the clips. Don't just take my word for it

Okay, so time for the review. I admit, I am not too familiar with this synthwave music, except that I like some of it, and as for Heatwave, I do like it, I even played it on the podcast (You can find that on Soundcloud/Mixcrate/Mixcloud under name club interface).

Below The Line is the opener and sets the mood for the album well. What we got here is something that to me 80's revival album made with modern methods with pinch of Kraftwerk thrown in the mix. Especially in the opener it had something Kraftwerkian in it. 10 tracks is just right length for this kind of album, it keeps it solid package. First two tracks would work on synthwave dancefloors really well, I'm sure of it.

Driftmore slows things down to mid-tempo and it is not a bad thing at all to have a breather, Ancient eyes picks the tempo back to dancefloor and that has some modernish sound thrown in foor good effect. It sounds retrofuturistic like the whole album does.

The album keeps changing from dancefloor ones to more midtempo ones which is good and suits it perfectly. As said, this is bit new genre for me and this is almost my introduction for it. I like the melodies, they are simple but work that way. It doesn't sound too stuffed like some music does. Simplistic expression is key element on this album. That reminds me bit of legendary Carpenter themes. Both have that hypnotic element made with simple melodies. Some of the songs could very well be on a scifi movie soundtrack and The Chase especially reminds me of Carpenter's horror themes.

To sum my feelings of the album, it is very well produced. Heatwave really know what they are doing and how it should be done. They also know their strengths well, melodies, and keep things varied through the album so you keep your ear on it. I recommend this to all, who like synthmusic with retrovibe. Well done!

MKSN Interview

Hi folks!

This is an interview that has been coming a long time. It got lost in my message pile but finally it is here. I give you MKSN! As always the finnish version is below

1.   Letäs start with House Of Hard music who had big event with Meccano Twins. How Did HOHM get started?

Let's make it clear that HOHM is Riina's project and she leads it. A lot of people ask me for gigs and all things of HOHM, but Riina is the one who makes the decisions. All the credit goes to her for the events. My part in HOHM is graphics, videos and communication with agencies. I came to HOHM in 2012 when we held our first party at Turku.

2. How did you get started on djing and promoting?

It all got started when my big brother talked me into going to a party at Helsinki in 2010. I ended up for a pre-party in a cabin in the middle of nowhere, and got to know Miika (Spart, Finland Gabber Promotions), thank you Miika for the pre-party :D The event we went to was Mindscore's epic Dione/Ruffneck night, where the sound volume almost tore pants to pieces. During Proteus vd Criss set I decided that I too want to be a core dj and fast forward 3 months I bought dj gear at home. In promoting I've been involved already when I lived in Kokkola. When Riina and I started dating, it was natural to also get involved with HOHM.

3. How would you describe your sound to someone who hasn't heard you play?

My set are mainly mainstream hardcore, melodic one usually. Lately I've been adding frenchcore too. My djing must be boring to watch, but I concentrate more on the djing than raving. Sometimes I do play back 2 back hardstyle sets with other djs. It is nice change,

4. How has the running a club changed over the years?

I don't think I've been involved long enough. I can't really answer to that. Maybe mainly to my mind springs that you should have a foreign guest every time. And people are more interested in visuals than before.

5. How do you see borders between genres get thinner?

In music there should be no borders. It is only good thing that something new comes to a genre and it doesn't get jammed.

6. What sort of equiptment you use on gigs?

I can play with anything else but with turntables. On the other hand I dunno, never got a chance to try them. At home I got 2X cdj-850 and djm-900nxs and I'm dreaming of getting third cd player

7. What is your take on digitalsim? Has djing lost something with it or has it brought new to djing?

Both good and bad. Good thing is you can build the set to be one hour mash-up for example. Bad thing is that basic djing skills are left bit behind. I think small errors are part of the set, that's the idea of live set. It is boring to listen to laptop sets at club, it is basicly same as playing a hour set from Soundcloud.

8. What is the thing that keeps you going?

After many parties I've been ready to call it quits. You have done a helluva lot of everything for the party and then some says it's in the wrong city or why you guys have rawstyle only for an hour... We've spent all our money on that evening and barely make it even. Mut luckily at Turku the party poeple is the reason you keep on pushing. Thank you all Turku people who have come to the parties and have supported us.

I still want to thank everybody who ever has offerd me a gig, I've only been in the scene for 5 years but gotten gigs at Monday Bar, Estonia's festival, at Oulu ug party Venue in Helsinki, Y 31, Circus and nightclubs at Turku. Big thank you Riina for all the years and hopefully I can keep doing this for a long time!

In Finnish

1. aloitetaan vaikka puhumalla House Of Hard Musicilla, jolla on tulossa iso tapahtuma, jossa esiintyy Meccano Twins. Mistä HOHM sai alkunsa?

2. Miten innostuit dj/promoottoritouhusta?

3. Miten kuvailisit soundiasi jollekulle, joka ei ole kuullut sinun soittavan?

4. Miten paljon klubin pyörittäminen on muuttunut vuosien saatossa?

5. Miten näet genrerajojen hälventymisen?

6. Millä laitteistolla soitat keikat?

7. Mikä on suhtautumisesi digitalisoitumiseen? Onko dj-hommasta kadonnut osa vai onko tilalle tullut uusi ulottuvuus?

8. Mikä on se syy, mikä jaksaa painamaan tätä duunia?

1. Tehdään heti ensimmäisenä selväksi se, että hohm on riinan lapsi ja riina sitä johtaa. Monet kysyvät multa keikkaslotteja ja kaikkea hohmista, mutta riina päättää niistä. Kaikki kunnia siis riinalle tapahtumista. Mun osa vastuualueeks hohmissa on noussut grafiikat, videot ja agentuurien välinen asiointi. Itse tulin hohmiin mukaan 2012 kun pidettiin ekat bileet turussa.

2. Kaikki alko siitä kun isoveljeni houkutteli mut lähtemään helsinkiin bileisiin 2010. Päädyin sitten etkoileen jonnekkin ihme mökkiin keskellä ei mitään, siellä tutustuin miikaan (sparf) kiitoksen miikalle niistä etkoista :D Bileet mihin mentiin oli mindcoren eeppinen dione/ruffneck ilta jossa pa repi melkeen housutki päältä. Proteus vs criss setin aikana päätin että mä haluun kans olla core dj ja siitä 3kk eteenpäin ja mulla oli kotona laitteet. Promotouhuissa olin ollut mukana jo kun kokkolassa vielä asuin. Kun alettiin riinan kanssa seurusteleen niin luontevasti aloin touhuamaan myös hohmin parissa.

3. Settini koostuu pääasiassa mainstream coresta, melodisesta yleensä. Nykyisin myös enemmän frenchcorea.. Esiintyminen on varmaan aika tylsän näköistä, mutta keskityn enemmän siihen soittamiseen enkä riehumiseen. Styleä tulee soiteltua joskus b2b setteinä jonku kanssa. Mukavaa vaihtelua.

4. En usko että olen tarpeeksi kauan ollut mukana touhuissa. En osaa vastata oikeen. Ehkä päällimmäisenä mieleen tulee se, että nykyään pitäisi aina olla ulkkari. Ja että jengiä kiinnostaa nykyään enemmän visuaalinen puoli.

5. Musiikissa ei pitäis olla rajoja. Ihan hyvä vaan että tulee jotain uutta skeneen eikä kaikki junnaa paikoillaan.

6. Keikat onnistuu kaikilla muilla paitsi levareilla. Tai en tiedä, en ole päässyt missään koittamaan. Kotoa löytyy 2x cdj-850 ja djm-900nxs, haaveissa olis kolmas cdj.

7. Hyvä ja huono asia. Hyvää se että halutessa setin voi rakentaa pelkäksi tunnin mashupiksi vaikka. Huonoa se että perua dj taidot jää ehkä vähän taka-alalle. Mun mielestä setteihin kuulu pienet mokat, siinä se liven idea on. Tylsää kuunnella jotain läppärisettejä klubilla, sama ku laittais vaan soundcloudista tunnin setin pyörimään.

8. Monesti bileiden jälkeen oon ollut jo valmis heittämään hanskat tiskiin, oot tehny helvetisti kaikkea bileiden eteen ja sit joku valittaa että "väärä kaupunki" tai "miks rawia soi vaan 1h"... Kaikki rahat laitettu likoon iltaa varten ja just saadaan omat pois. Mutta onneksi turussa on ainakin sellainen bileporukka jonka takia näissä jaksaa olla mukana. Kiitos kaikille teille turkulaisille jotka on käyny tapahtumissa ja jaksanu tukea.

9. Haluan vielä kiittää kaikkia jotka on mulle keikkoja tarjonnut. 5 vuotta vasta ollut mukana skenessä mutta päässyt soittamaan monday barilla, virossa festareilla, oulussa ug:ssa, helsingin venuella, y31, circus ja turun yökerhot. Suurin kiitos Riinalle näistä vuosista, toivottavasti saan tehdä tätä vielä pitkään jatkossakin -MKSN

9. Kohtaan voi lisätä miikan vaasa ug:t

☺

Ja 2. Kohtaa että aloitin joskus 2008 soittamaan läppäriltä dubsteppiä ja d'n'b:tä MiksiN nimellä, 2010 vaihtu pelkkään coreen ja nimestä tuli nykyinen MKSN

Leviathan AKA Tellurian Interview (Cenobite Records)

Hi guys!

I am superproud to present yet another huge interview for you! This time it is the man behind the Cenobite records and needs no introduction. I present you:

Leviathan AKA Tellurian

How and when did you start? (As a DJ / As a producer) What was the impulse?

I started around 1986 with a few friends in a Hip-Hop Group called Digital Power (DP)
I collected all kinds of records and was obsessed with sampling & sound synthesis techniques
80ties computer game music inspired me to make my own with the first available music software in that time
I had lots of records that i listened and sometimes sampled but Mixing as a DJ I picked up years later


How did you get into hardcore?

Around 1992 We picked up some hardcore cassette tapes and listened to the them 
We liked the dark vibes and this made me interested to check out some of the first raves in Amsterdam 


You have released ep's on legendary label Mokum as Tellurian, could you tell us how this happened?

I went to the Mokum headquarters with a demo cassette in 1992 and met Fred Berkhout who was and still is the label manager , he liked it and asked me to create more tracks experimental  fast loud & hardcore without limitations
With My first release Mokum 5 as the result .




Whats Mokum Records biggest Hit ?

The biggest success of Mokum Records and hardcore history is Techno Head “i wanna Be a Hippy”

It started out as a underground dance-floor smasher and later re-released with a Radio Remix made by Flamman & Abraxas 

It reached number 1 in 12 different countries including Germany, Netherlands, Belgium and Switzerland, and number 6 in the UK With a total of 1.3 Million Singles sold on CD & Vinyl this is the Biggest Hardcore hit of all times 
Plus you can add all compilation cd's the track got licenced on


What is your take on scene's evolution? It has changed quite a lot over the years and you've been in it a long time.

The world became much smaller with internet
The big festivals have many people from all over the world attending them
i respect what everyone is doing but cant help listening with a music producer ears and point of view 
I get bored pretty quick if there is no creativity and its only about the bass drum 
The audience is powerful , you can try to push a concept but they decide in the end what they like or not 



What made you start Cenobite records?

In 1996  I got the chance to start my own sub-label with Immortal Sound Productions I.S.P. 
I performed for them the years before on events like Digital Overdose , Immortality , and there main Hardcore concept “ Hellraiser (Ultimate Hardcore Dance Events) “

There events where like the best at that time with great Decorations , Projections , performing artist
Whats popular now on festivals ,they already had it back than
And they created the first Indoor festivals with many sub-styles
Hardcore / Gabber / Terror / Rave / Techno
Drum & Bass / BreakBeat / Trip Hop / Trance
Psy Trance / Techno / Oldstyle / Mellow
and some times live musicians



You have quite a few Hellraiser-inspired names and samples. Are you a fan of the movie series?And if yes, has those movies inspired you?

Cenobite Records was a official sub-label in partnership with I.S.P who organized The Hellraiser Events & Hellraiser Records 
Witch was basically the underground version of Thunderdome
So yes this inspired me to dig in to that and we even did official promotion for the Movie Release in the Netherlands





What got you started as Leviathan?

Because i started the Cenobite label i was also looking for a new project name.
Leviathan is one of the Cenobite's in the Hellraiser movie series  
besides that the Tellurian name was signed to Mokum Records
 


How much has record label side of things changed due digital releases?

We used to send people to the record shops to buy our music 
Now we send them to a digital shops and we also have our own portal www.cenobite.nl 
If people like our music enough that they actually buy it online is one of the the biggest compliment an artist or label can get and will inspire to produce more music
But the way i see it people are more in to dj mixes than albums or tracks
Its easy to make a online mix 
But i don't think my colleges and other labels will like it if i mix and give away there music for free public online 
Ive been a supporter for Mixcloud.com for some years a platform built for dj's & podcast , they pay music rights and its a great marketing tool and its free 


Will physical released become obsolete due digital outlets?

There will always be some people looking for vinyl and cd's 
Or maybe a shirt or USB stick 


You recently signed Rheeza to Cenobite records. So far she has released a remix of your track The New Generation. How did you discover her and what can we expect from her? and How would you describe Rheeza's sound?

Rheeza is a good friend and been around for quite some time
We played together on some events and will be playing a uptempo set on Ground Zero Festival 2016
I would describe her style as Fast & Filthy 
She's constantly working to improve her production skilzz 


And onto psycore scene, could you tell us of this genre? It is lesser-known form of hardcore.

Trancecore , Psycore or Acidcore 
Call it what you want but Cenobite listens to all
I think there are many tracks that could be categorized in that style and there is many other styles you can mix it with 
I really like dark melodies but also fast trancy riffs , break-beats off-course some acid synth sounds, there is so much you can explore , we try to make songs, a musical story with a beginning,middle part and End
We see Cenobite as a really wide range of styles concept , and music & sound as our playground.


You had quite memorable experience in Vaasa at Hard-O-Ween party few years back, how was that experience?
How did that gig happen?

I got invited by the Hardcore Finland Organization
They had some problems with authority putting pressure on the venue owners threatening them to give them a hard time if the party went on and there was also press coverage.
This resulted in 3 cancellations from the venues 
So Hardcore Finland decided to make it a private event on private property and pulled it of anyway
Big respect for that commitment & determination

Its a form of prejudiced / discrimination gabbers also know in Holland 


Thunderdome awards, why and what is this all about? I tried to google it, but didn't manage to find out more.

ID&T came up with the Thunderdome Awards 1998
In that time you had to sell 40.000 CD singles for a Gold Record Award in Holland ,  
The Thunderdome CD Compilations Series Sold over 3 Million copies worldwide all together but still there was no press coverage in any way because it was Gabber / Hardcore
So they decided to create the thunderdome awards there selfs and thank the artist for there music & efforts   

We received a special award from ID&T for our contribution in making the Thunderdome CD series sell over a three million (!) copies worldwide.

We are very proud in having made this achievement.

Not only is ID&T the biggest and most prestigious production company in Western Europe in contemporary dance music, but also the most straightforward in attempting to create and penetrate new markets within the global music scene.
Therefore ID&T proudly presents this award to "TELLURIAN"

Text from the award: "Due to your contribution and dedication, over 3 million copies of Thunderdome have been sold. 

If you compare scene in Netherlands to abroad, how different are they?

They might have a different clothing and dancing style 
It all comes down to the same thing 
Loving the Harder music Styles and having a great time with friends on the Dance Floor
In My opinion you don't have to dress like a gabber to be part of the scene , and in the beginning i liked the underground scene because you could dress and dance as you liked and just be you

Last but least, what future will hold for Cenobite Records and for you? Any news you could share with us?

Well you have to check the new release of Arjuna - 4 tracks
And Danytribe from Italy - 3 tracks
We got a Japanese release coming soon and a new release from Damian
Some new tracks from Leviathan also Philosopher and much more ... 
Great festivals coming up where we perform so check us there 
We also are celebrating our 20th year in the hardcore scene with Cenobite 
So expect release events "Machines In Motion" later this year.
Also we have Mokum / Cenobite Hardcore Showcase on ADE Amsterdam Dance Event 

Stay up to date on www.cenobite.nl

Cheers 

Brutal Jesters Interview

Hi all

Like I said before, this blog is dedicated to two kinds of music. The similarity is that dark atmosphere and with some of the genres melodies. Last update was of synth-pop album review, so this time it is no-holds-barred interview with huge artist! I am superpround to present you:

Brutal Jesters Interview!!!!

1. What sort of music did you grow up with?
Ohmboy: French hip hop, Nirvana, Thunderdome Micropoint Manu le malin
Remzcore: I'm very eclectic in music but my first real crush in music goes to Rock/Metal. I’ve bought albums like: The Offspring, System of a Down, Korn, Marilyn Manson.

2. What lead you to electronic music?

Ohmboy: My love for industrial sounds and DJing on a technical level
Remzcore: Back in 2003, a good Friend gave me: "Thunderdome best of 96". This caused me a massive outbreak. My hero is 3 Steps Ahead.

3. You both have released solo material previously. How did Brutal Jesters happen?
Remzcore: We met in a party called “Leshouille act2”. Ohmboy was mixing before me and Ive got an instant brocrush when he stared scratching. Then when I started my show right after him he got curious about my very particular technique with my computer (initially he’s a vinyl DJ). He asked me if he could scratch during my set. The crowd went nuts and we got gigs together since then. After few gigs, in a party called Azylium we came up with the name: “Brutal Jesters”

4. What are the good points and bad points of collaborations?
Ohmboy: No bad point, it’s all about the discussion and make deals
Remzcore: With collaboration you can get results you could never achieve on your own.

5. Why Frenchcore of all genres?
Ohmboy: Maybe because we are french ?! No lol I think when we created BJ we listened a lot of Frenchcore
Remzcore: I think Frenchcore is the most party oriented style above all, as The Braindrillerz said : “No Frenchcore, No Party!”

6. What kind of equipment you use in the studio?
Ohmboy: Some simples things: a pc, monitors, midi controller and the most important Cubase for sure.
Remzcore: Really not much, the most important is a good computer and a DAW you are comfortable with.

7. How is the scene in France ?
Ohmboy: The scene is big but it's really hard to organize some party here, so there is really less party than there should be.
Remzcore: I think in France it’s totally different region by region. Near our home, partys are small but Lyon and south of France have a big potential.

8. How different is the crowd over there compared to other countries?
Remzcore: The French crowd is very good, they are passionate people, they know the tracks you play and they show it to you.
Ohmboy: All crowds are fucking great, you just need to understand them..

9. How do you approach a remix? What makes it a good one?
Remzcore: For example when we remixed Fa-lium for Dr.Peacock. We kept the main theme but we developed it in our own way. For example we added a sample speech from a guy who thinks he’s was going to hell when he used valium pills.
It’s all about finding a balance between respecting the original and making something new.
To answer on what makes a good remix, well you should keep in mind that in music all the rules can be bended. So there is no particular way to succeed on a remix, just let the magic happen.

10. What can we expect from you in the future?

Ohmboy: I’m preparing a solo album

Remzcore: We currently work with artists from different horizons. We want to evolve our sound. And we are very proud because we have an official remix coming for The Speed Freak.