Tuesday, 12 May 2026

False Flags Interview

Hello False Figure and thank you for the interview!

Let´s start from beginning what inspired you to form the band?

I wanted to start writing more emotional music and explore writing something a bit more melodic within the world of punk. I was inspired by a small resurgence of dark punk and deathrock that was happening in the US punk world at the time.

Describe your music to someone who haven´t heard of it yet (shame on you go listen to them now!)

False Figure has evolved a lot but I think one of the themes that still drive the band is this very serious intensity that speaks to your melancholy and feels almost blissful to let it out.

What music did you listen to when growing up?

All kinds, in junior high I got put on to punk, like starter pack stuff for that era, dead kennedys, rancid, then as I got into high school I started getting deeper into discharge and uk82 as well as exploring 80’s US hardcore, I lived in a town with a college radio station so as I got a little older I made friends with people that were really into more niche genres for our age, lot of soul, classic hip hop, first-wave ska, reggae and dub. I still went to shows and was really into the SF Bay area’s hardcore scene of the 90s, all the fastcore and hardcore that Slapaham records and prank was putting out like Spazz, Plutocracy, Talk is Poison, Look Back and Laugh. The 90s/00s punk felt so alive and exciting still. I had internet access in my middle teen years and the era of sharing music was at it’s peak. I had a lot of access to rare out of print punk records from all over the world because someone would upload it to their blog. Before spotify and digital distributors when music was truly free

My parents were always listening to punk/post punk so I got a lot of influence from them. I mostly grew up on punk and metal, it wasn't until I was a teen that my tastes really expanded. 

 


 

Where do you get inspiration for songs?

Kind of everywhere, just living. Lived experiences.

How is the post-punk/goth scene in US?

It’s okay, some stuff I like, some stuff I don’t. It doesn’t feel very original at the moment. I feel like in the early 10s the indie rock bubble popped and those people discovered if they just changed the rhythm to a four-on-the-floor they could “reinvent” darkwave. So here we are. There’s a lot of money in it so it’s become kind of saturated with this business minded aspect to it. The punk part of post-punk is dead and gone.

I think the US has a really great scene for that style of music. Maybe I can only really speak for the west coast, but every major city from LA to Seattle has a pretty active scene with a lot of history.

How much has it changed since you started in 2016?

In 2016 we were in the midst of a little resurgence of goth and deathrock in the punk scene, with many punks starting new bands sounding like classic deathrock bands of the 80s. False Figure was part of that wave with an emphasis on very haunting, noisy guitars behind a wall of reverb and heavy tom work on drums. Very tribal but with a lot of melody.

If we go back to beginning was it how easy to break into scene?

I mean we had a scene, Oakland and the bay area had a lot more punk going on, There were a lot of diy spaces where we could throw shows and people were invested in their scene. The Ghost Ship tragedy changed the landscape here and all across the US for DIY spaces. We started playing clubs and bars more and then the pandemic hit and really scraped the rest of our generation away to other cities. Arts and culture can’t really exist under the US’s rampant capitalism. There’s some new stuff going on, but it’s not punk or transgressive, apathetic sure. 

 


 

What are biggest challenges for an artist these days?

Time and money. And burnout. And schedules.

I think the main challenge for an artist these days is the economy. Being a musician is expensive and no one really makes money doing it anymore. I dream about the days back in the 70s and 80s where you'd quit your job to start a band. It can be hard to find the time and energy to be creative when you're scraping by, but on the flip side it usually means if you're still doing it then you've got dedication.

Let´s think of digital vs physical for a bit. As an artist, which one you prefer and why? Is physical media still important for artists?

I think physical media is always going to be more important than digital. Having a band’s physical record, experiencing and appreciating the art on the jacket, the insert, all the details that were chosen before you even begin listening to the record brings so much more to the experience. When you play a record you are physically playing the media through vibrations and a microphone. There’s nothing else like that. I appreciate how digital media can make things so available and I want our music to be heard by everyone but if you truly resonate with an album, buy the record and play it.

Physical always. I believe digital music is an abomination. It's a bit of a Pandora's box because now that streaming is so available and convenient, there's no way the general public will go back to physical. To me there's no competing with the ritual sensory experience of holding a record, seeing the art on the sleeve, and actively listening to an album.

And now that we have Bandcamp, Spotify etc it is easy to release music as an independent artist. But on the other hand, the flood of music is incredible and it's hard to find good music. Is this a good or bad thing from your viewpoint?

It should be a more independent playing field but the reality is that capital still rules the music industry. Payola is more alive than ever before and the DIY promise of these platforms is merely an aesthetic, the truth is they want you to pay them, or worse yet, digital playlist curators with AI generated images will ask you for money to be featured in their playlist to boost your streaming numbers with bot listeners. I don’t really believe there’s any organic band that has gotten big on their own, money dictates success. We’re falling into a monoculture where people only go see bigger acts at Livenation, AEG, Goldenvoice promoted events, the same vultures that make playing music more expensive than ever, and the worst part is ALL of these bands sound the same. The modern post-punk/darkwave world is imploding on itself simulacra ad nauseam where we’ve strayed so far from its origin in the punk world that the regurgitated idea of what goth and darkwave is now is a bastardization of its true purpose and meaning. So no, I don’t love music streaming platforms, some are worse than others but none are good.

I'm always for lowering the bar of entry when it comes to art, but on the flip side I believe it's cheapened the quality of available music. The flood of new music has made it really hard to get noticed by a label and to get support releasing albums. Its like its really easy to just get music online but way harder to get something to really stick out. 

 


 

And continuing on that path, let's talk bit of social media. That is coming more and more important tool. It feels like it is not about music anymore, but who has most followers. And getting visibility once again is tricky.

Yeah people pay for followers, it’s yet another metric that people think get them gigs or representation or sell tickets. It’s your resume, and people bend over backwards to produce “short form content” to please the algorithms. It’s not fun. We don’t really do more than we have to and it

shows. I don’t mind not being well-regarded by instagram, who cares.

I think we all hate social media. I wish it was never invented. I believe it is possibly the most evil creation of our lifetime.

What I like about the scene is people are polite and bands communicate with fans and that makes it feel special.

At the end of the day we’re all people, our fans are fellow musicians and we get to have cool conversations about music, or sometimes someone new comes up and tells me a story about how a song we played made them feel. The age of deifying or mystifying musicians will hopefully come to an end, we all want to be happy and safe and get along. We just want to play music and if you’re into it then we have a great dynamic already.

Also one interesting thing is there are not one hit wonders in the scene and fans are loyal. And bands make long careers.

What advice would you give to people who want to start making music?

Just do it, pick a few bands you like and let them influence you. You won’t ever make a carbon copy of a band if you have varied influences. Just keep doing it, keep discovering more music, time and experience yields results.

Just practice your instrument, have fun, express yourself.

Things are finally getting back to normal. During pandemic streaming gigs emerged also virtual band meetings. Do you think those are here to stay?

I never really watched any streaming gigs, it’s not the same. I don’t think they’ll be around much longer, if they haven't disappeared already. But who knows, maybe as production quality increases it will be cooler to experience. I like watching old music videos from studio gigs in the 70s and 80s even if they're not playing live.

I think streaming gigs can be cool, like for people who are disabled and maybe can't leave the house. Like everything digital I think it has ups and downs. I think being able to meet virtually as a band is pretty cool, it's made it easier to make music with people who live too far away to meet up.

What would be your biggest dream as artist?

Free studio space and time to play music

My biggest dream as an artist is to make music that is a true genuine reflection of my self as a musician, that hopefully speaks to people and gives them some joy and hope in a world that seems to get darker each day.

What would be your future plans?

We’d love to keep playing these songs out and record another record. We’re in a good writing place right now, coming up with interesting sounds. Hopefully the world is receptive.

Legend:

Andres Ruiz

Kie

Thursday, 18 December 2025

Hellkern Warriors Interview




 Hi Hellkern Warriors, thank you for the interview!

We are happy for having us and thank you for the invitation.

 

How did Hellkern Warriors happen?

The story of „Hellkern Warriors“ begins in the shadows of mid 2025, when Kabal reached out to Mauricio with the idea of shaping a new musical vision. What started as a conversation soon grew into something more — a calling that needed a spark.

That spark arrived in June, when Tom Radar unveiled his haunting song ideas:

the raw and evocative riffs of “Helkern Warriors”, "Petrol & Water" and “Endless Road”. To capture the atmosphere he imagined, Tom recorded demo versions of these tracks, lending his own voice to guide the vision.

The effect was immediate. Kabal, Mauricio, and Fabian felt the pull of the music — cinematic in scope, yet intimate in its shadows. Each brought their own artistry to the table, weaving together threads of analog synths, spectral guitar lines, and rhythms that echo like a heartbeat in the dark.

From this alchemy, „Hellkern Warriors“ were born — an international collaboration bound by the desire to create soundscapes that are as haunting as they are alive.

Endless Road” became the foundation stone, the first step into their unfolding journey, a concept they call: “The Pulse of the Void”.

The band name, „Hellkern Warriors, is taken from a computer virus (Helkern) — an unseen force, unstoppable, spreading silently through the dark. A fitting emblem for the band’s essence.​

And so the journey began, with “Helkern Warriors” as the band’s first creation — bringing the invisible battle of the digital age straight to your ears.

 

 




 

Each member of the „Hellkern Warriors“ brings a unique shadow to the sound:

 

Kabal Apokalypse

Kabal Apokalypse/Dylan Phoenix, the creative force of Alessandro Vezzoni (Pietrasanta, Italy) — is a poet, composer, multi-instrumentalist, and founder of Funeral Records Autoproduction. With roots in black metal, doom, EBM and gothic rock since the mid-90s, his projects (Erotic Funeral, Toxic Industry, Binario 0) have shaped the underground. His vision is alchemical — turning emotion into sound. Co-creator of The Man With White Wings (2025), awarded Video of the Day on WHITELIGHT // WHITEHEAT.

Tom Radar

Tom Radar, known for his Berlin-based darkwave act Radarfield, took over lead vocals and added his lyrical depth and emotional delivery. With songs like “Vampire Diary” and the side project “The Man With White Wings” (with Dylan Phoenix), Tom has left his mark across international airwaves. Released EP „Red Planet“ (2014), CD „Black Planet“ (2024), and seven singles. Featured on compilations such as Sonic Seducer, Orkus!, and Dark Spy Magazine. Ranked #1/#2 on N1M (Electronica) between 20242025.

Fabian Parra

Fabian Parra (Ibagué, Colombia) is a guitarist, bassist (Hellkern Warriors), composer, and session musician with over 20 years of experience as an instrumentalist. He is influenced by extreme metal music. He has played in important Colombian bands such as Ghoulish Pain (death metal, CD´s: Ghoulish Pain (2009), Cenizas (2018)), Impromtus ad morteM (symphonic metal, CD´s: Infortunio (2007), Edén a luz centuria (2010/EP), Renacer (2014), Symphonies of the Death (2019)), and Lemarchand (industrial metal).

Mauricio Castro

Mauricio Castro, drummer, initiator of the project from Ibagué, Colombia is a musician, composer, arranger, and music producer with over 20 years of experience in the colombian music industry. He is the founder and drummer of the bands Impromtus ad mortem and Lemarchand. He also works as a producer and sound engineer at “Artgot Studios”, which he also founded.






 

 

Helkern Warriors is an interesting song. It sounds like it could be theme song for a movie or TV-show. And the video is very cool.

Thanks, Tommi! Thats awesome to hear  we love that you said it sounds like a movie or TV theme. When we were writing „Helkern Warriors“, we wanted it to feel epic and cinematic  like the soundtrack to a world where the Helkern Warriors rise to protect humanity from a powerful computer virus called „Helkern“, threatening to take over the world.

For the video, we wanted to capture that same energy  something intense, dramatic, and visually striking. We experimented with different AI programs to bring that vision to life, and the result feels more like a short film than a typical music video.

 

Petrol & Water, on the other hand, is completely different type of song. It was interesting to hear two sides of you in a sense.

And the lyrics do represent the times we live in well.

Yeah, „Petrol & Water“ definitely shows a different side of us. The lyrics paint a dark, cinematic picture of a world overwhelmed by industry and technology: black towers in acid rain, engines screaming, rivers poisoned  almost like a warning from the ghosts of what weve created. Its about losing control, questioning which force will ultimately reign, and reflecting on the cost of our actions.

Musically, its closer to our first track, „Endless Road“ (still in progress), and to the songs we have coming next. These tracks continue in that direction  more emotional and fluid, yet still carrying the cinematic energy that defines our sound. In a way, „Petrol & Water“ offers a glimpse into the broader world were building with „Hellkern Warriors“, where intensity meets reflection.

 

What is the biggest difference when making purely electronic music versus when using guitars?

The biggest difference comes down to how the music is created and expressed. In the darkwave project „Radarfield“, Marcus writes the songs with synths, so everything is built electronically  layers, textures, and atmosphere. The emotion comes from the sound design itself, and everything is very precise and cinematic. Some of the latest songs were based on my guitar ideas, which Marcus then transcribed onto his synths.

With „Hellkern Warriors“, the guitars are my domain. Writing riffs is tactile and instinctive  bending strings, experimenting with rhythm and dynamics in real time. I also work to find the right musical tunes to match the lyrics, or sometimes adapt the lyrics to fit the music, to get the best results. Its about channeling energy and expression directly through the instrument while keeping the song cohesive.

 

To me this somehow feels to complete Radarfield project as it was logical continuation to it.

„Hellkern Warriors“ is a different project. I focus on creating the guitar riffs and can work more directly on developing new songs. With the support of Kabal, Fabian, and Mauricio — each an expert on their instrument with extensive experience — we can bring a lot of depth and professionalism to the music. The collaboration allows us to combine our different influences and skills, which gives „Hellkern Warriors“ a unique sound and energy.

 

What is the next project?

Our next projects are two new singles: „Rain, Steam and Speed“ and „Endless Road“. „Endless Road“ is set for release this December or next January and continues to develop our signature sound, combining the power fans know with fresh, atmospheric elements. It blends our intensity with deeper, more emotional tones, and will also have a music video featuring all band members, bringing the story and atmosphere to life.

„Rain, Steam and Speed“ follows soon after and marks the next step in the „Hellkern Warriors“ evolution. Both songs offer a glimpse of where were heading creatively  still powerful and cinematic, but exploring new textures and moods.

 

Singles:

Petrol & Water: https://hellkernwarriors.bandcamp.com/track/petrol-water

Hellkern Warriors: https://hellkernwarriors.bandcamp.com/track/helkern-warriors

 

CD:

INDUSTRIAL HALLOWEEN 2025 – Compilation CD (DSBP Records)

https://dsbp.bandcamp.com/album/industrial-halloween-2025

 

 

Video Links:

Petrol & Water: https://www.youtube.com/watch?v=BPOEcvA2ly4

Hellkern Warriors: https://youtu.be/H54C3yP2rT4

 

Reviews:

20/11/2025: Edgar Allan Poets  Song review of Hellkern Warriors“ https://www.edgarallanpoets.com/hellkern-warriors-self-titled-single-is-out-now/

 

Interviews:

20/11/2025: Radio Hazzard of Darkness  
Live radio performance with "Bloody Bite" (Tom Radar / Radarfield/ Hellkern Warriors)

7/10/2025: Radio Emergency -
Live radio performance with Mad Steve (Tom Radar / Radarfield/ Hellkern Warriors) https://www.mixcloud.com/RadioEmergency/club-noir-die-dunkle-seite-von-radio-emergency-zu-gast-tom-radar-von-radarfield/

 

Radio Airplay:

 

November 2025

29/11/2025  Revolution Radio.Online (UK)  Petrol & Water played by Nick Court

25/11/2025  eXtra Music 102.1 FM (USA)  Petrol & Water played by Marty Mar

18/11/2025  1656# Infectious Unease Radio / Inner FM (AUS)  Petrol & Water

16/11/2025  Radio Hazzard of Darkness (GER)  Petrol & Water played by Nachtfalke

16/11/2025  1656# Infectious Unease Radio / Wax Radio Indiana (USA)  Petrol & Water

11/11/2025  Radio Emergency (GER)  Petrol & Water played by Mad Steve

10/11/2025  Radio Dämmerröte (GER)  Petrol & Water played by Dämmerhexe

10/11/2025  DJ Niggels (GER)  Petrol & Water

08/11/2025  Sine FM (UK, Synthwave+ Radio Show)  Petrol & Water played by George Jopling

07/11/2025  Eterna Oscuridad Radio (USA, #520 mix)  Petrol & Water played by Jorge Marchan

05/11/2025  Radio Dunkelbunt (GER)  Petrol & Water played by Sonnenelfe

04/11/2025  Radio Hazzard of Darkness (GER)  Petrol & Water played by Mike Hazzard

04/11/2025  1655# Infectious Unease Radio / Inner FM (AUS)  Hellkern Warriors

02/11/2025  1655# Infectious Unease Radio / Wax Radio Indiana (USA)  Hellkern Warriors

01/11/2025  Cyberage Radio (USA)  Hellkern Warriors played by Tommy T Rapisardi

 

October 2025

25/10/2025  Radio Hazzard of Darkness (GER)  Hellkern Warriors played by Mike Hazzard

21/10/2025  Frontière Rock French Radio (FR)  Hellkern Warriors played by Jean Marc

06/10/2025  Mixcloud (GER, Modern Grey #103)  Hellkern Warriors played by DJ Niggels

05/10/2025  Eternaoscuridad Radio (USA, Mix #515)  Hellkern Warriors played by Jorge Marchan

05/10/2025  Radio Dunkle Welle (GER)  Hellkern Warriors played by Dori

04/10/2025  Radio Dunkelbunt (GER)  Hellkern Warriors played by Ratze

03/10/2025  Radio Nachtflug (GER)  Hellkern Warriors played by Muetze

 

September 2025

28/09/2025  The BaNNeD SessionZ (UK)  Hellkern Warriors played by DJ BAnn

27/09/2025  Radio Hazzard of Darkness (GER)  Hellkern Warriors played by Mike Hazzard

24/09/2025  Radio Dunkelbunt (GER)  Hellkern Warriors played by Sonnenelfe

23/09/2025  Radio Emergency (GER)  Hellkern Warriors played by Mad Steve

21/09/2025  Flyflewradio (GER)  Hellkern Warriors played by Joachim L. Brunner

21/09/2025  Radio Hazzard of Darkness (GER)  Hellkern Warriors played by Nachtfalke

20/09/2025  Flyflewradio (GER)  Hellkern Warriors played by Joachim L. Brunner

20/09/2025  Sine FM (UK, Synthwave+)  Hellkern Warriors played by George Jopling

 

 

Check HELLKERN WARRIORS out!

Website: https://www.hellkernwarriors.com

Bandcamp: https://hellkernwarriors.bandcamp.com/

Youtube: https://www.youtube.com/@HellkernWarriors

N1M: https://www.n1m.com/hellkernwarriors

Facebook: https://www.facebook.com/HellkernWarriors/

 

Check DYLAN PHOENIX out!

https://dylanphoenix.bandcamp.com/

https://youtube.com/channel/UCeutcNQTLrqtTv0lEE_9jqA?si=Fdiwh0_s4JhLQTtE

https://www.n1m.com/dylanphoenix

https://www.facebook.com/share/15oqEiVUcm/

 

Check TOM RADAR out!

https://tomradar.bandcamp.com/

https://youtu.be/hbHcD8aoGrc

https://www.facebook.com/tom.radar.1

https://www.n1m.com/tomradar

https://radarfield.com/

 

Check IMPROMPTUS AD MORTEM out!

https://impromtusadmortem.com/

 

Check LEMARCHAND out!

https://www.facebook.com/LemarchandOfficial

youtube.com/@lemarchandofficial